Australian Athletics

📋 1 Guidelines

🔗 Connections

Sector

Sports

Region

Australia

Guideline Year

2025

Language

English

Tags

Sport

Official Websites

Brand Guidelines

2025

Brand Summary

Mission
  • To inspire the athletic community by showcasing the energy and movement intrinsic to the sport, bringing together diverse elements of athletics and participants of all ages and abilities [^1].
Core Values
  • energy
  • movement
  • inclusivity
  • diversity
  • inspiration
  • community
Target Audience
  • Participants of all ages and abilities within the athletic community, including a wide range of sports, ethnicities, genders, and abilities [^2].
Personality Traits
  • dynamic
  • energetic
  • inclusive
  • warm
  • genuine
  • vibrant
Visual Identity Overview
  • The brand uses bold, memorable logos in landscape and portrait formats, a vibrant color palette, contemporary typography, dynamic graphic devices, and real-life action photography to create a cohesive, unmistakable visual identity that emphasizes movement, energy, and inclusivity [^3].

Categories

Brand Imagery
  • Brilliant photography is one of the ways in which our people are able to see themselves in our brand.
  • Imagery should embody a sense of ‘real life’ action -exciting images that demonstrate the participants being engaged in their activity, assist in conveying the excitement around athletics in all forms.
  • When shooting or sourcing source imagery for Athletics Australia, photography should be inclusive of a wide range of sports, ages, ethnicities, genders and abilities. Imagery should be vibrant and inspirational, without being over-the-top or staged, instead electing for those which convey warmth and genuineness.
  • Preferably, images will have a clear focal point or main subject. And particular effort should be made to correct images as required -ensuring that skin tones, highlights and shadows are adjusted to view correctly and with enough contrast.
  • Ensuring a sense of consistency across photographic and data display elements gives all publications a cohesive feel, and aids in harmony across the brand.
  • GENERAL DOs Have a clear focal point and/or central subject
  • GENERAL DON’Ts Images without a clear focal point or subject
  • Colour corrected on images, as required
  • Sharp, crisp image in high resolution
  • Candid, genuine, warm and welcoming
  • Images without colour correcting them
  • Poor quality images that are low resolution
  • Cliches, highly staged, overly smiley
Color Palette
  • Our colours have been chosen for their vibrancy, to communicate the energy of the brand and represent each of it’s key divisions.
  • The use of strong primary colours gives Australian Athletics instant brand recognition and differentiation. AA Blue Green and White should play a dominant role in any design, to build brand recognition and consistency.
  • When thinking about colour choices, lean towards being bold and impactful, therefore the core colours within the Logo can be applied as a strong solid background colour to create dynamic and vibrant designs.
  • When a design needs to be more understated or contains a lot of information, we use White and AA Grey tints as our base colours and use the other primary colours, as a highlight colour to inject vibrancy.
  • Gradient colour backgrounds should be avoided -the Australian Athletics colour palette is not meant to be used in this way.
  • Due to the contrast, under no circumstances should white text be used with the AA Yellow as the background colour.
  • White text is permitted on the AA Orange & AA Green colours, however only in the size of l4pt or larger.
  • To help achieve greater brand recognition it is crucial that the colour palette is applied consistently. To maintain our distinctive and contrasting brand, ensure colours have visual contrast and tints should be used sparingly and only when necessary.
  • AA GREY (ROAD) CMYK 200055 PANTONE 430C RGB 125 135 142 HEX #7d878e
  • AA GREEN (FIELD) CMYK 815500 PANTONE 339C RGB 0 165 148 HEX #00a594
  • AA YELLOW (TRACK) CMYK 0 22 100 2 PANTONE 116C RGB 250 198 0 HEX #fac600
  • AA BLACK CMYK 87 51 44 74 PANTONE 5463C RGB 25 44 52 HEX #192c34
  • WHITE CMYK 0 0 0 0 PANTONE Black 6C RGB 255 255 255 HEX #ffffff
Typography
  • Wondra Regular has been significantly altered to create the Australian Athletics Wordmark. It should NOT be used in other applications.
  • Rustica Medium works alongside the Wordmark and Montserrat fonts, to create a cohesive and contemporary feel.
  • The Montserrat family should be used as the primary font for subheadings, smaller headings and body copy across all print and digital applications.
  • There are several different Montserrat font weights to choose from, which can be utilised to give applications a dynamic and structured presence. However, these are the three key weights when typography is required.
  • Strive to avoid using more than three different weights in a single application.
  • When setting type, it’s crucial that the integrity of the font is maintained for legibility. Do not skew, horizontally scale or change the font in a way that alters it’s proportions inconsistently.
  • Our system typeface is Aptos. On occasions where the Primary typefaces are not available, Aptos can be used as an alternative.
  • There are several different Aptos font weights to choose from, however these are the three key weights when typography is required. Italic, semi bold, bold and small caps can be used throughout the copy, as required.
  • Aptos should only be used when it is not possible to use our Primary Typefaces
  • Titles use Rustica Medium
  • Rustica Medium 29pt
  • Leading 27pt
  • Tracking Optical lOpt
  • Sentence case or Uppercase
  • HEADINGS USE RUSTICA MEDIUM
  • Rustica Medium 74pt
  • Leading 76pt
  • Tracking Optical 20pt
  • Uppercase
  • SUBHEADINGS USE MONTSERRAT BOLD
  • Montserrat Bold 72pt Leading lSpt
  • Tracking Optical S0pt
  • SMALLER HEADINGS USE MONTSERRAT SEMIBOLD
  • Body copy use Montserrat Regular and may bring in, italic, semibold, bold and SMALL CAPS required
  • Montserrat Semi Bold 8pt
  • Leading 72pt
  • Tracking Optical lO0pt
  • Montserrat Regular 8pt
  • Tracking Optical Opt
  • Sentence case
  • It’s important that text is always formatted in a way this is easy to read and engaging -being mindful of hanging text and other typography issues such as orphans and widows.
Logo Usage
  • Consistent use of the Australian Athletics logo is essential, as it creates familiarity across all of our brand assets and communications, regardless of their size or format.
  • The Australian Athletics Logos have been designed in Landscape and Portrait formats to ensure flexibility of use across various applications, while maintaining the brand’s integrity and legibility.
  • Both Landscape and Portrait versions of the logo are of equal standing and can be used interchangeably, depending on which suit the dimensions of the intended application best.
  • To ensure Australian Athletics branding can be used in a variety of applications while maintaining brand integrity and legibility, the logo is available in four colour variations.
  • Where possible, the colour version of the logo should be used.
  • Depending on the background colour/image there are two options available – Positive or Reverse.
  • This applies to the mono logo as well. In most instances, the Reverse version (to sit on a dark background) is to be used.
  • When the colour logo is not a viable choice, the mono logo can be used instead.
  • When choosing the colour variation for the application you are using it in, please consider; legibility, the mood and colour palette of the application.
  • The Landscape Logo is to be used predominantly on landscape applications, where the Portrait Logo is not suitable. The elements within it are defined in relation to each other and should never be altered, redrawn or modified.
  • When the colour version of this logo is not a viable choice, the mono logos can be used instead.
  • When correctly observed, clearspace protects the logo from being crowded by other elements such as text or images.
  • The Y-height is the height of the Brand mark. The minimum clearspace around the logo can be determined by 0.25 of the Y-height, as demonstrated.
  • The Landscape Logo should never appear smaller than: - Print applications: 24mm in width - Digital applications: l60px in width
  • There is no maximum size, providing clearspace is adhered to and various rules of application are met.
  • The Portrait Logo is to be used predominantly on portrait applications, where the Landscape Logo is not suitable.
  • As per the Landscape Logo, the colour version of the logo should be used in most instances and the mono logo only used when the colour version is not viable.
  • The Portrait Logo should never appear smaller than: - Print applications: 15mm in width - Digital applications: lOOpx in width
  • The Brand mark is used in instances where the Landscape/Portrait Logos becomes illegible, or space constraints are high.
  • Elements of, or the whole Brand mark can also be used as a Graphic Device in collateral, in addition to the Landscape/Portrait Logos. (See pgs 20-21 for further considerations when using it as a Graphic Device).
  • When the colour version of the Brandmark is not a viable choice, the mono logos can be used instead.
  • The Brand mark should never appear smaller than: - Print applications: 8mm in width - Digital applications: 45px in width
  • The Wordmark can be used on occasions when name recognition is paramount, and/or the Landscape/ Portrait logo becomes illegible.
  • The Y-height is the height of the ‘A’ character. The minimum clearspace around the logo can be determined by 0.25 of the Y-height, as demonstrated.
  • The Workmark should never appear smaller than: - Print applications: 15mm in width - Digital applications: lOOpx in width
  • The Alternative Logo is only to be used where extended horizontal application is required and name recognition is paramount -predominantly on web and signage collateral.
  • The Alternative Logo should never appear smaller than: - Print applications: 52mm in width - Digital applications: 346px in width
  • The integrity of the Logos, Brand mark and Wordmark must be maintained at all times. Do not manipulate them in any way including; skewing, compressing, extending, distorting, rotating, rearranging the elements, placing on low contrast backgrounds, adjusting scale, recolouring, changing fonts, or impeding on the clearspace.
  • Remember to only use the Brand mark or Word mark on occasions where the Landscape or Portrait Logos are not viable.
  • To ensure brand consistency and integrity, be sure to only use the logo as specified in these guidelines and never be recreated, amended or altered in anyway.
  • For flexibility, the Logos can be used in the following positions in digital and print layouts: - Top left, centre, right - Bottom left, centre, right
  • For stationery, legal and regulatory documents the Landscape Logo should be placed in the top left-hand corner only.
  • If you are unsure which logo to use, please contact the Marketing & Communication team.
  • Always remember hierarchy of information and ensure that the placement of the Logos are not getting lost in the layout.
  • Only the Landscape or Portrait Logo may be used for sponsorship and partnership branding to maximise brand recognition and sponsorship value. The Brand mark or Word mark should never be used.
  • When creating a new sponsorship or partnership lockup please ensure: - The partner logo is sized appropriately to give equal visual prominence to both logos - The dividing line uses AA Grey as a keyline stroke - The height of the dividing line equals the height of the Australian Athletics logo - The space between the partner logo/Australian Athletics Logo and the dividing line is 0.25 the height of the Brand mark
  • All sponsorship and partnership co-branding must be approved by the Marketing & Communication team.
Visual Style
  • Consistent use of the Australian Athletics logo is essential, as it creates familiarity across all of our brand assets and communications, regardless of their size or format.
  • The Australian Athletics Logos have been designed in Landscape and Portrait formats to ensure flexibility of use across various applications, while maintaining the brand’s integrity and legibility.
  • Both Landscape and Portrait versions of the logo are of equal standing and can be used interchangeably, depending on which suit the dimensions of the intended application best.
  • To ensure Australian Athletics branding can be used in a variety of applications while maintaining brand integrity and legibility, the logo is available in four colour variations.
  • Where possible, the colour version of the logo should be used.
  • Depending on the background colour/image there are two options available – Positive or Reverse.
  • In most instances, the Reverse version (to sit on a dark background) is to be used.
  • When the colour logo is not a viable choice, the mono logo can be used instead.
  • When choosing the colour variation for the application you are using it in, please consider; legibility, the mood and colour palette of the application.
  • The elements within it are defined in relation to each other and should never be altered, redrawn or modified.
  • When correctly observed, clearspace protects the logo from being crowded by other elements such as text or images.
  • The Y-height is the height of the Brand mark. The minimum clearspace around the logo can be determined by 0.25 of the Y-height, as demonstrated.
  • The Landscape Logo should never appear smaller than: - Print applications: 24mm in width - Digital applications: l60px in width
  • There is no maximum size, providing clearspace is adhered to and various rules of application are met.
  • The Portrait Logo should never appear smaller than: - Print applications: 15mm in width - Digital applications: lOOpx in width
  • The Brand mark should never appear smaller than: - Print applications: 8mm in width - Digital applications: 45px in width
  • The Workmark should never appear smaller than: - Print applications: 15mm in width - Digital applications: lOOpx in width
  • The Alternative Logo should never appear smaller than: - Print applications: 52mm in width - Digital applications: 346px in width
  • The integrity of the Logos, Brand mark and Wordmark must be maintained at all times. Do not manipulate them in any way including; skewing, compressing, extending, distorting, rotating, rearranging the elements, placing on low contrast backgrounds, adjusting scale, recolouring, changing fonts, or impeding on the clearspace.
  • To ensure brand consistency and integrity, be sure to only use the logo as specified in these guidelines and never be recreated, amended or altered in anyway.
  • For flexibility, the Logos can be used in the following positions in digital and print layouts: - Top left, centre, right - Bottom left, centre, right
  • For stationery, legal and regulatory documents the Landscape Logo should be placed in the top left-hand corner only.
  • Always remember hierarchy of information and ensure that the placement of the Logos are not getting lost in the layout.
  • Only the Landscape or Portrait Logo may be used for sponsorship and partnership branding to maximise brand recognition and sponsorship value. The Brand mark or Word mark should never be used.
  • The partner logo is sized appropriately to give equal visual prominence to both logos
  • The dividing line uses AA Grey as a keyline stroke
  • The height of the dividing line equals the height of the Australian Athletics logo
  • The space between the partner logo/Australian Athletics Logo and the dividing line is 0.25 the height of the Brand mark
  • Our colours have been chosen for their vibrancy, to communicate the energy of the brand and represent each of it’s key divisions.
  • AA Blue Green and White should play a dominant role in any design, to build brand recognition and consistency.
  • When thinking about colour choices, lean towards being bold and impactful, therefore the core colours within the Logo can be applied as a strong solid background colour to create dynamic and vibrant designs.
  • When a design needs to be more understated or contains a lot of information, we use White and AA Grey tints as our base colours and use the other primary colours, as a highlight colour to inject vibrancy.
  • Gradient colour backgrounds should be avoided -the Australian Athletics colour palette is not meant to be used in this way.
  • Under no circumstances should white text be used with the AA Yellow as the background colour.
  • White text is permitted on the AA Orange & AA Green colours, however only in the size of l4pt or larger.
  • To help achieve greater brand recognition it is crucial that the colour palette is applied consistently. To maintain our distinctive and contrasting brand, ensure colours have visual contrast and tints should be used sparingly and only when necessary.
  • Wondra Regular has been significantly altered to create the Australian Athletics Wordmark. It should NOT be used in other applications.
  • Rustica Medium works alongside the Wordmark and Montserrat fonts, to create a cohesive and contemporary feel.
  • The Montserrat family should be used as the primary font for subheadings, smaller headings and body copy across all print and digital applications.
  • Strive to avoid using more than three different weights in a single application.
  • When setting type, it’s crucial that the integrity of the font is maintained for legibility. Do not skew, horizontally scale or change the font in a way that alters it’s proportions inconsistently.
  • Aptos should only be used when it is not possible to use our Primary Typefaces
  • Titles use Rustica Medium
  • Rustica Medium 29pt
  • Leading 27pt
  • Tracking Optical lOpt
  • Sentence case or Uppercase
  • HEADINGS USE RUSTICA MEDIUM
  • Rustica Medium 74pt
  • Leading 76pt
  • Tracking Optical 20pt
  • Uppercase
  • SUBHEADINGS USE MONTSERRAT BOLD
  • Montserrat Bold 72pt Leading lSpt
  • Tracking Optical S0pt
  • SMALLER HEADINGS USE MONTSERRAT SEMIBOLD
  • Body copy use Montserrat Regular and may bring in, italic, semibold, bold and SMALL CAPS required
  • Montserrat Semi Bold 8pt
  • Leading 72pt
  • Tracking Optical lO0pt
  • Montserrat Regular 8pt
  • Tracking Optical Opt
  • Sentence case
  • It’s important that text is always formatted in a way this is easy to read and engaging -being mindful of hanging text and other typography issues such as orphans and widows.
  • The complete Brandmark, or elements of the Brandmark can be used outside of the logo, as an additional tool to create visual interest.
  • Tints are to be set at 30% opacity on normal blend mode, using the BAND Variation of the Australian Athletics Brandmark
  • It is recommended that the Brand mark height is equal to the application height but can be appropriately cropped at any position on the left and right
  • Wave element can be recoloured to any colour from Australian Athletics colour palette as long as there is sufficient contrast with background colour
  • Wave element should be enlarged (without skewing/ distorting) to extend to edge of application
  • Used as is, OR extend the height of colour block to the bottom or top of the application, for an additional solid block of colour
  • Only use the AA Blue Green background colour band with full colour Brandmark
  • Other primary colours can be used as the band colour, with same AA Brand mark colour on top
  • Use each at the following opacity ➔ Yellow -100%, Orange -25%, Green -50% Dark Green -30%, Grey -30%, White -2% (Grey Band)
  • Base of background colour band should exactly touch curve of the third ribbon in Brandmark
  • It is recommended that the Brandmark height is equal to the colour band height
  • Only to be used on Corporate documents and stationery
  • Only use the AA Blue Green background colour band with full colour Brandmark, for this application. (Don’t use other primary colour background options, as per Thick Band variation)
  • To maintain the integrity of the Graphic Devices, they must not be skewed, compressed, distorted, or recoloured, except for the methods outlined.
  • Imagery should embody a sense of ‘real life’ action -exciting images that demonstrate the participants being engaged in their activity, assist in conveying the excitement around athletics in all forms.
  • Photography should be inclusive of a wide range of sports, ages, ethnicities, genders and abilities. Imagery should be vibrant and inspirational, without being over-the-top or staged, instead electing for those which convey warmth and genuineness.
  • Preferably, images will have a clear focal point or main subject. And particular effort should be made to correct images as required -ensuring that skin tones, highlights and shadows are adjusted to view correctly and with enough contrast.
  • Ensuring a sense of consistency across photographic and data display elements gives all publications a cohesive feel, and aids in harmony across the brand.
  • Have a clear focal point and/or central subject
  • Colour corrected on images, as required
  • Sharp, crisp image in high resolution
  • Candid, genuine, warm and welcoming
  • Images without colour correcting them
  • Poor quality images that are low resolution
  • Cliches, highly staged, overly smiley
  • For digital system and navigation icons we use a minimal, modern style with rounded edges to complement our core brand assets.
  • System icons may be placed in a circular container or used simply on their own.
  • Primary colours within the Australian Athletics logo may be used for icons for highlighting purposes.
  • Icons should be made of simple shapes and never be too complex.
  • Charts and graphic devises should be kept simple in design and utilise the Australian Athletics colour palettes.
  • Where possible the number of colours used for charts and graphs should be kept to a minimum.
  • White, AA Blue Green and AA Grey (including tints) should always be present as a neutral colour, utltising the other primary colours (including tints) to maximise legibility and understanding.
  • Please ensure there is enough contrast between colours so the information is easy to understand.
  • It’s important that all Australian Athletics presentations aspire to a consistent look.
Iconography
  • For digital system and navigation icons we use a minimal, modern style with rounded edges to complement our core brand assets.
  • System icons may be placed in a circular container or used simply on their own.
  • Primary colours within the Australian Athletics logo may be used for icons for highlighting purposes.
  • Icons should be made of simple shapes and never be too complex.
Layout And Composition
  • The Australian Athletics Logos have been designed in Landscape and Portrait formats to ensure flexibility of use across various applications, while maintaining the brand’s integrity and legibility.
  • Both Landscape and Portrait versions of the logo are of equal standing and can be used interchangeably, depending on which suit the dimensions of the intended application best.
  • The Landscape Logo is to be used predominantly on landscape applications, where the Portrait Logo is not suitable. The elements within it are defined in relation to each other and should never be altered, redrawn or modified.
  • When correctly observed, clearspace protects the logo from being crowded by other elements such as text or images.
  • The Y-height is the height of the Brand mark. The minimum clearspace around the logo can be determined by 0.25 of the Y-height, as demonstrated.
  • The Landscape Logo should never appear smaller than: - Print applications: 24mm in width - Digital applications: l60px in width
  • There is no maximum size, providing clearspace is adhered to and various rules of application are met.
  • The Portrait Logo is to be used predominantly on portrait applications, where the Landscape Logo is not suitable.
  • As per the Landscape Logo, the colour version of the logo should be used in most instances and the mono logo only used when the colour version is not viable.
  • The Portrait Logo should never appear smaller than: - Print applications: 15mm in width - Digital applications: lOOpx in width
  • The Brand mark is used in instances where the Landscape/Portrait Logos becomes illegible, or space constraints are high.
  • Elements of, or the whole Brand mark can also be used as a Graphic Device in collateral, in addition to the Landscape/Portrait Logos. (See pgs 20-21 for further considerations when using it as a Graphic Device).
  • The Brand mark should never appear smaller than: - Print applications: 8mm in width - Digital applications: 45px in width
  • The Wordmark can be used on occasions when name recognition is paramount, and/or the Landscape/ Portrait logo becomes illegible.
  • The Y-height is the height of the ‘A’ character. The minimum clearspace around the logo can be determined by 0.25 of the Y-height, as demonstrated.
  • The Workmark should never appear smaller than: - Print applications: 15mm in width - Digital applications: lOOpx in width
  • The Alternative Logo is only to be used where extended horizontal application is required and name recognition is paramount -predominantly on web and signage collateral.
  • The Alternative Logo should never appear smaller than: - Print applications: 52mm in width - Digital applications: 346px in width
  • The integrity of the Logos, Brand mark and Wordmark must be maintained at all times. Do not manipulate them in any way including; skewing, compressing, extending, distorting, rotating, rearranging the elements, placing on low contrast backgrounds, adjusting scale, recolouring, changing fonts, or impeding on the clearspace.
  • Remember to only use the Brand mark or Word mark on occasions where the Landscape or Portrait Logos are not viable.
  • To ensure brand consistency and integrity, be sure to only use the logo as specified in these guidelines and never be recreated, amended or altered in anyway.
  • For flexibility, the Logos can be used in the following positions in digital and print layouts: - Top left, centre, right - Bottom left, centre, right
  • For stationery, legal and regulatory documents the Landscape Logo should be placed in the top left-hand corner only.
  • Always remember hierarchy of information and ensure that the placement of the Logos are not getting lost in the layout.
Infographics And Data Presentation
  • Charts and graphic devises should be kept simple in design and utilise the Australian Athletics colour palettes.
  • Where possible the number of colours used for charts and graphs should be kept to a minimum.
  • White, AA Blue Green and AA Grey (including tints) should always be present as a neutral colour, utltising the other primary colours (including tints) to maximise legibility and understanding.
  • Please ensure there is enough contrast between colours so the information is easy to understand.
  • It’s important that all Australian Athletics presentations aspire to a consistent look.
Graphic Devices
  • The complete Brandmark, or elements of the Brandmark can be used outside of the logo, as an additional tool to create visual interest.
  • A. BACKGROUND - Background colour with same AA Brand mark colour on top - Tints are to be set at 30% opacity on normal blend mode, using the BAND Variation of the Australian Athletics Brandmark - Tints have been generated for this application and can be found in the Australian Athletics Logo Suite: ➔ PRINT or WEB 3_SINGLE COLOUR ➔ Select relevant COLOUR Australian Athletics_Brandmark__Band - It is recommended that the Brand mark height is equal to the application height but can be appropriately cropped at any position on the left and right
  • B. WAVE - Yellow section of Brand mark rotated -29.5° to create Wave element - Wave element can be recoloured to any colour from Australian Athletics colour palette as long as there is sufficient contrast with background colour - Wave element should be enlarged (without skewing/ distorting) to extend to edge of application - Used as is, OR extend the height of colour block to the bottom or top of the application, for an additional solid block of colour
  • C. THICK BAND - Only use the AA Blue Green background colour band with full colour Brandmark - Other primary colours can be used as the band colour, with same AA Brand mark colour on top - Use each at the following opacity ➔ Yellow -100%, Orange -25%, Green -50% Dark Green -30%, Grey -30%, White -2% (Grey Band) - Tints have been generated for this application and can be found in the Australian Athletics Logo Suite: ➔ PRINT or WEB 3_SINGLE COLOUR ➔ Select relevant COLOUR Australian Athletics_Brandmark__Band - Base of background colour band should exactly touch curve of the third ribbon in Brandmark - It is recommended that the Brand mark height is equal to the colour band height
  • D. THIN BAND - Only to be used on Corporate documents and stationery - Only use the AA Blue Green background colour band with full colour Brandmark, for this application. (Don’t use other primary colour background options, as per Thick Band variation) - Use example on right as reference for sizing, cropping and positioning of colour band and Brand mark
  • To maintain the integrity of the Graphic Devices, they must not be skewed, compressed, distorted, or recoloured, except for the methods outlined.
Sponsorship And Partnerships
  • Only the Landscape or Portrait Logo may be used for sponsorship and partnership branding to maximise brand recognition and sponsorship value. The Brand mark or Word mark should never be used.
  • When creating a new sponsorship or partnership lockup please ensure: - The partner logo is sized appropriately to give equal visual prominence to both logos - The dividing line uses AA Grey as a keyline stroke - The height of the dividing line equals the height of the Australian Athletics logo - The space between the partner logo/Australian Athletics Logo and the dividing line is 0.25 the height of the Brand mark
  • All sponsorship and partnership co-branding must be approved by the Marketing & Communication team.
🐛 Report